Upcoming ScreeninGS
Freshers Week screenings are free!
Tickets ARE AVAILABLE FOR PURCHASE AT all other screenings (£3 or FREE for members!)
You can download a PDF of our Semester 1 programme HERE!

Week 1: Challengers (2024)
A tennis player turned coach makes her world-famous, grand slam champion husband play a Challenger event against his former best friend.

Week 2: Conclave (2024)
After the unexpected death of the Pope, Cardinal Lawrence is tasked with managing the covert and ancient ritual of electing a new one.


Week 3: Ten Years (2015)
Made in 2015, 'Ten Years' is a collection of stand-alone stories from different directors that speculate what Hong Kong might be like one decade hence.

Week 3: The Seed of the Sacred Fig (2024) + Amnesty International Fundraiser
Investigating judge Iman grapples with paranoia amid political unrest in Tehran.

Week 3: No Other Land (2024)
This film made by a Palestinian-Israeli collective shows the destruction of the occupied West Bank's Masafer Yatta by Israeli soldiers.

Week 4: A Brighter Summer Day (1991)
A young boy experiences his first love, his friendships and life's injustices when growing up in 1960s Taiwan.

Week 4: Flow (2024)
Cat is a solitary animal, but as its home is devastated by a great flood, he finds refuge on a boat populated by various species.

Week 5: Picnic at Hanging Rock (1975)
During a rural summer picnic, a few students and a teacher from an Australian girls' school vanish without a trace

Week 5: Walkabout (1971)
Two city-bred siblings are stranded in the Australian Outback, where they learn to survive with the aid of an Aboriginal boy on his walkabout.

Week 6: Ikiru (1952)
A Tokyo bureaucrat struggles to reconcile with his impending death and begins looking for ways to make his remaining days meaningful.

Week 6: Uncle Boonmee Who Can Recall His Past Lives (2010)
Dying of kidney disease, a man spends his last, somber days with family, including the ghost of his wife and a forest spirit who used to be his son, on a rural northern Thailand farm.

Week 7: A Different Man (2024)
An aspiring actor undergoes a radical medical procedure to drastically transform his appearance.

Week 7: Double Indemnity (1944)
In this classic noir, an insurance representative is seduced by a dissatisfied housewife into a scheme of insurance fraud.

Week 8: The Thing (1982)
A research team finds an alien being that has fallen from the sky and is starting to hunt them down.

Week 8: Cure (1997)
Detective Takabe is tracking a series of identical murders, committed under the same bizarre circumstances.

Week 9: Nickel Boys (2024)
Two African-American boys, Elwood and Turner, are sent to an abusive reform school in 1960s Florida.

Week 9: Daisies (1966)
Two teenage girls decide that since the world is spoiled, they will be spoiled too. They embark on a series of destructive pranks to rebel against a materialistic society.

Week 9: Playtime (1967)
Monsieur Hulot curiously wanders around a high-tech Paris, paralleling a trip with a group of American tourists.

Week 10: The Angels' Share (2012)
After narrowly escaping law, Robbie decides to find a way to get his life back on track. A chance visit to a whisky distillery, along with other former petty criminals, changes his life completely.

Week 10: Kneecap (2024)
When fate brings Belfast teacher JJ into the orbit of self-confessed “low life scum” Naoise and Liam Óg, the needle drops on a hip-hop act like no other.

Week 10: A Real Pain (2024)
Mismatched cousins tour Poland to honour their grandmother. Their adventure becomes complicated as old tensions resurface while exploring their family history.

Week 11: Tropical Malady (2004)
A romance between a soldier and a country boy, wrapped around a Thai folk-tale involving a shaman with shape-shifting abilities.

Week 11: Queer (2024)
Lee, a solitary American in Mexico City, falls for a beautiful, elusive former soldier.

Week 12: Tangerine (2015)
When a prostitute learns that her boyfriend cheated on her while she was in jail, she and her best friend decide to teach him and his new lover a lesson.

Week 12: Carol (2015)
Therese Belivet works at a department store in Manhattan where she encounters the beautiful Carol.

Week 1: Fallen Angels (1995)
An assassin, his boss, an entrepreneur, and two women cross paths in Hong Kong after hours.

Week 1: The Royal Tenenbaums (2001)
The eccentric members of a dysfunctional family reluctantly gather under the same roof for various reasons.

Week 12: Night On Earth + Post Film Discussion
As the title suggests, Jim Jarmusch’s slice of life story takes us to five cities where remarkable and deeply human interactions take place between five taxi drivers and their passengers, all on the same night. A meditative journey through urban environs and existential anecdotes, exploring alienation, desire, and impermanence and punctuated by humour and endearing performances, this one is a must. Bring your best friends and bid the academic year farewell with us!
1991 / 128 min / English / CW: N/A

Week 12: Malcolm X
Directed and co-written by Spike Lee (Do The Right Thing), and featuring Denzel Washington’s most notable performance, this epic biopic follows the life of the African-American activist Malcolm X. Come check this film off your watchlist and enjoy a masterpiece on the civil rights movement, nuanced storytelling, and multi-faceted characters.
1992 / 202 min / English / CW: strong violence, language, drug misuse, discrimination

Week 12: Taste of Cherry
Kiarostami makes his second appearance on our programme this year, with this thematically rich minimalist film about a man, intent on committing suicide, who searches Tehran for someone to bury him when he’s done. Though its cast is sparse, it shines as a testament to the power of poetry in film with its thought-provoking atmosphere and engrossing story.
1997 / 99 min / Persian / CW:

Week 11: The Eight Diagram Pole Fighter + Post Film Discussion
One of the notable Hong Kong kung-fu flicks, this film follows the Yeung family as the 5th and 6th brothers take on very different roles to avenge the family’s massacre. Looking forward to seeing well-choreographed fight sequences, glimpses of human emotions and melodrama, and a stunning ending.
1984 / 98 min / Cantonese / CW: strong bloody violence

Week 11: Xala
Meaning temporary sexual impotence, Xala is an African political satire symbolized by a rich businessman with an erectile dysfunction that can only be cured by public humiliation. Come for a thought-provoking social commentary, having masterfully woven themes of masculinities and Senegalese folklore, brought to you by the “father of African film”.
1975 / 121 min / Wolof, French / CW: moderate sex references, nudity, rude humour

Week 10: Soylent Green + post film discussion
Set in a dystopian future in 2022 (relative to its time), the film follows a murder investigation in a world deprived of natural resources intensified by overpopulation and greenhouse effects. Come and catch this classic’s imagination of the present and see how it holds up!
1973 / 97 min / English / CW: n/a

Week 10: Blue Velvet
Directed by David Lynch (Muholland Drive, Eraserhead), the film is set in a color-infused criminal underworld, in which the protagonist accidentally stumbles upon a human ear and is determined to investigate. Come to relive this classic or enjoy some sexy dream-like sequences!
1986 / 120 min / English / CW: sexual violence, strong sex, violence

Week 9: Children of Men + Post film discussion
Alfonso Cuarón’s modern masterpiece is set in a dystopian (startlingly) near future, a world in which humans can no longer procreate. Theo, a disillusioned bureaucrat, is tasked with delivering the last pregnant woman in a socially and morally barren society to safety. With mesmerising and immersive long takes, tense set pieces, and a vivid reflection of the evils of our own world, this universal story was made to be appreciated in a communal space, on a big screen.
2006 / 109 min / English / CW: Strong bloody violence

Week 9: Drop Dead Gorgeous
Featuring an ensemble cast of Kirsten Dunst, Kirstie Alley, Ellen Barkin (and Allison Janney & Amy Adam’s debut role), the film centers a small-town beauty pageant contest and the deathy lengths the contestants go to secure the crown. Come along if you’re looking for a black comedy, a social commentary, or a cult-classic mocumentary!
1999 / 98 min / English / CW: discrimination and offensive language

Week 9: Women On The Verge Of A Nervous Breakdown
Starring an all-female camaraderie by Pedro Almodóvar (The Skin I Live In, All About My Mother), the film illustrates a lively and hilarious story about an interrupted suicide, also featuring a melodramatic couple, terrorist accomplices, and spiked gazpacho. Tune in for a short and silly black dramedy!
1988 / 88 min / Spanish / CW: suicide references

Week 8: Tampopo + Post Film Discussion
Branded as a “ramen western”, this hilarious film details two truck drivers who serendipitously joins the ramen catering business and embarks on a journey discovering “the art of soup making”. Come along for the appreciation of shared food experiences and get ready for a delicious turn of events!
1985 / 115 min / Japanese / CW: Strong sex, violence

Week 8: Mysterious Skin
Directed by Gregg Araki, the first winner of the Cannes Festival Queer Palm, this coming-of-age tale features a gusting prostitute (Joseph Gorden-Levitt) and an alien abduction conspiracist (Brady Corbet), and their journey of self-discovery. Prepare yourselves for a steadily devastating insight into childhood trauma with a strangely hopeful message in the end.
2004 / 105 min / English / CW: Contains child sexual abuse theme and strong sexual violence

Week 8: How to Make Millions Before Grandma Dies
Submitted for Oscar’s Best International Film, this film is a subtle and moving tale about a dying grandmother and a grandson scheming to inherit her house before she dies. The film tenderly portrays the nuanced power dynamics in an Asian household, themes of legacy and conflict in values, and provides an emotional outlook on understanding our relatively disconnected family members and processing the passing of beloved ones.
2024 / 125 min / Thai /CW:N/A

Week 7: Anora
In Sean Baker’s highest grossing film yet, Ani, a young sex worker from Brooklyn, gets her chance at a Cinderella story when she meets and impulsively marries the son of an oligarch.
2024 / 139 min / English / CW: strong sex, drug misuse

Week 7: Beau Travail
A powerful story exploring masculinity, jealousy, and freedom, Claire Denis tells the story of an officer in the French Foreign Legion and his contempt towards a new recruit. Visually breathtaking and brimming with physicality, the film boasts an unforgettable and enigmatic final scene.
1999 / 93 min / French / CW: Discrimination, homophobia, gore, violence

Week 6: Manjummel Boys + Post Film Discussion
A true story of friendship and survival about a group of friends who must save one of them during a holiday in Kodaikanal, when he falls into a hole deep in the Guna Caves. Upon its release last year, it quickly became the highest-grossing Malayalam film of all time and is a great example of accessible, contemporary Indian cinema.
2024 / 135 min / Malayalam / CW: N/A

Week 6: My Life As A Courgette
After Courgette loses his mother, he is taken to a foster home where he learns to love again after meeting other orphans who are just as vulnerable as he is. Brought to life with a unique style of stop-motion animation, partially penned with tenderness and compassion by Céline Sciamma (director of ‘Portrait of a Lady on Fire’), and only 66 minutes long, this is a simple and cosy watch for reading week.
2016 / 66 min / French / CW: references to traumatic childhood experiences

Week 5: Nobody Knows + Post Film Discussion
Directed by Koreeda Hirokazu (Shoplifters, Monster), this film is a silently devastating family tale featuring four kids who are often abandoned by their mother, and the eldest 12-year-old son who is forced to take on the caretaker role too soon. Trivia: the protagonist holds the record of youngest winner for best actor at the Cannes film festival, leaving Tony Leung publicly bitter. Come along for the magic of found family and a nice cry!
2004 / 141 min / Japanese / CW: child abandonment theme

Week 5: Jawbreaker
This fun 90s romp involves a gaggle of popular girls who accidentally murder their best friend on her birthday. With an adopted loser, they subsequently try to cover up their deed and fun girly-pop hijinks ensues!
1999 / 87 min / English / CW: N/A

Week 5: The Substance
One of the most critically-acclaimed films last year, the film presents a fading Hollywood actress looking to transform into a younger version of herself via a mysterious substance. Covering themes of systematic misogyny and fetishization of female bodies, join us right before Valentine’s Day for some gore and body horror!
2024 / 141 min / English / CW: severe sex & nudity, violence & gore, frightening scenes

Week 4: The Apprentice + Post Film Discussion
The grease, grime, and dirt are on full display in this film as it charts the rise of Donald Trump from innocent millionaire’s son into the infamous figure we know today. Featuring Sebastian Stan as the man himself and Jeremy Strong as his Unscrupulous business teacher, come along to see the film Trump’s campaign team tried to prevent from releasing!
2024 / 122 min / English / CW: sexual violence, strong sex, language, drug misuse,

Week 4: Megalopolis
Francis Ford Coppola’s self-funded forty year opus, this film is set in an alternate 21st century ‘New Rome’ and showcases the story of Cesar Catalina, a genius polymath who aims to fix society of its ails, vices, and corruptions. Featuring an ensemble cast including Adam Driver, Giancarlo Esposito, Aubrey Plaza and more, make sure not to miss one of the most polarizing films of last year!
2024 / 138 min / English / CW: strong language, violence, sex, drug misuse

Week 4: Pig
Nicolas Cage is a truffle forager. Somebody stole his pig. He needs to get it back. Enough said.
This one’s for you, Callum!
2021 / 92 min / English / CW: N/A

Week 3: Silence + Post Film Discussion
Almost 30 years after ‘The Last Temptation of Christ’, Scorsese readdresses the Catholic Church in a story about Jesuit priests who face both physical suffering and challenges to their faith in a Japanese village in the 1600s. Even in spite of countless financial and logistical problems in the years leading up to its production, the film offers beautiful and authentic locations and transformative performances from Andrew Garfield and Adam Driver.
2016 / 161 min / English / CW: strong violence, scenes of torture

Week 3: Sing Sing
Based on the real-life Rehabilitation through Arts program at Sing Sing maximum security prison, this film centres a group of incarcerated men creating a theatrical stage show. Centering the redemptive power of arts and bonding in grim situations, this film is the perfect cure for your semester blues!
2023 / 107 min / English / CW: profane language

Week 2: La Chimera + Post film discussion
Starring Josh O’ Connor (Challengers) in a linen shirt speaking Italian, this film shows an English archeologist reconnecting with his lost lover and companions after being imprisoned for grave robbery. The film masterfully weaves themes of grief, spirituality and anti-capitalist ideals, and is one that will surely make you appreciate the beauty and depth films can evoke.
2023 / 131 min / Italian, English / CW: N/A

Week 2: Paris, Texas
An iconic Palme D’or winner directed by Wim Wenders, this film tells the story of an unknown man who wanders out of the Mexican desert in an attempt to rediscover the life he lost four years prior and takes to the road to find his abandoned wife and son. Featuring masterful cinematography by Robby Müller and breathtaking performances from the cast, Paris, Texas begs you to lose yourself in its heartbreaking story.
1984 / Min: 145 / English / CW: domestic abuse

welcome week: the florida project + post film discussion
Directed by Sean Baker (Anora, Tangerine), recent winner of the Palme D’Or, the film depicts the everyday life and struggles of sex workers living in a motel in Florida, and focuses on the children that are raised in this particular environment. Like other films by Baker, it shows the complicated lives and dilemmas of sex workers in a simultaneously surreal and realistic light. Also features a wonderfully kind Willem Dafoe!